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Date: October 17, 2024

‘Viswam Is 2024’s Only Hit,’ Says Naresh, Sparks Trolls Online

Gopichand, known for his action roles, has been facing a string of box office failures. His latest film, Viswam, directed by Srinu Vaitla, was supposed to bring success. However, it didn’t perform as expected. Despite this, the team recently held a success meet, and actor Naresh made a statement that quickly became the subject of jokes.

Naresh Bold Claim at the Success Meet

During the event, Naresh called Viswam the “one and only big hit” for the Telugu Film Industry (TFI) in 2024. He even went as far as calling it the ‘2024 Dasara Hit’. His comments, though positive, felt like an exaggeration given the film’s performance.

Social Media Reactions on Naresh

Naresh’s statement quickly caught the attention of social media users. Many found his words too bold and started trolling him online. Memes and jokes flooded the internet, questioning his claim and turning the moment into an internet sensation.

Gopichand’s Quest for a Hit

For Gopichand, Viswam was meant to be a major comeback. He has been known for his strong performances in action films, but his recent projects haven’t done well. Even though Srinu Vaitla directed the movie, it couldn’t deliver the success Gopichand needed.

Praise Gone Too Far?

While success meets are usually filled with praise, Naresh’s comments went overboard. His claim that Viswam is the biggest hit of 2024 didn’t match the reality of the film’s box office results. Instead of boosting the film, his statement drew criticism and trolling

Exaggerated Praise Backfires

Success meets are often an opportunity for the cast and crew to reflect on the journey of making a film, but they can also become an arena for exaggerated praise. In this case, Naresh’s over-the-top declaration that Viswam is the biggest hit of the year felt out of place, especially with several other films competing for success in 2024. His comments have certainly sparked conversation, but they may have done more harm than good in terms of the film’s public perception.

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